Artist Statement

fiber art grounded
in repetition, ritual, and color relationships.

Katharine Heyl is a mixed-media artist based in Washington, D.C., whose work explores the profound interplay between color, material, and emotion. A graduate of Wheaton College in Norton, Massachusetts, with a BFA in Studio Art, she concentrated her studies in sculpture and painting, drawing inspiration from the groundbreaking theories of Josef Albers. Her practice is rooted in a deep appreciation for color theory, with a focus on how a focused palette can evoke boundless visual and psychological effects.

In her current body of work, Katharine employs thread as both medium and metaphor, deconstructing color through intricate and deliberate craftsmanship. Each piece begins with the labor-intensive process of hammering hundreds of brass nails, followed by the meticulous weaving of fragile threads. The resulting tension between the robust nails and delicate fibers mirrors the dynamic contrasts of her color pairings—where a single thread’s hue resonates against shades, complementary tones, or contrasting colors. This harmony of precision and instinct allows each color to emerge as its most vibrant, impactful self, leaving a dramatic and lasting impression on the viewer.

Katharine’s work has been exhibited widely in the D.C. area and is held in numerous private collections, including a piece currently on private loan to the U.S. Embassy in Cyprus. When not immersed in her studio practice, she finds inspiration in the natural world, teaches and practices yoga, and cherishes time with her kids. 

Katharine welcomes commissions and has cherished her close relationships with clients in the D.C. community. 

My work is born from the balance between endurance and ease. It begins with the rhythmic, physical demand of hammers and nails—a process that is often grueling and heavy—which then gives way to the meditative quiet of weaving. This marriage of copper and fiber mirrors the architecture of a life: the strength we must summon to build a foundation and the fragility of the threads that color it.

There is a persistent tension held within these frames; the knowledge that a single blade could unravel the whole. Yet, we live in the faith that it holds. My most recent collection emerged in the shadow of my father’s passing, a period spent in the quiet palette of mourning, asking where we go. As the spring solstice arrived and he moved on, the work shifted its gaze. The question transformed from where we go to where we grow. These pieces now pulse with the energy of awakening, a shift in color and spirit that marks my own return to the light.

katharine Heyl

CV

BFA in Studio Art, Wheaton College

2026

“Where We Grow” solo exhibition, Castle Gallery, May-June 2026

2025

Umbrella Art Fair, November 2025

Transformer Auction and Gala, November 2025

Art Night 2k25, Washington Project for the Art (WPA) in partnership with Hickok Cole, October 2025  

“Americana; A Common Thread” solo exhibition, Union Market, February 2025

2023

Group Show, Rat Gallery, October 2023

“Repetition Studies: Thread on Canvas” solo exhibition, Willowstreet Gallery, March 2023

“Merge III” group exhibition, d’Art Centers Main Gallery, January 2023

Collections

Private collections nationally and internationally

U.S. Embassy in Nicosia, Cyprus via the U.S. Department of State Arts in Embassies program